The LFO modulation section offers 18 routing options, multiple waveforms (sine, triangle, saw, square, and noise), rate control, and BPM sync. The synth engine comes complete with saw, triangle, and square waves (which can be layered to create super-saws), dry / wet mix, tune and detune, as well as stereo width controls.

This plugin lets you mix and match up to four effects, including six types of distortions, waveshaper with sine fold and linear fold, tape with hiss and wobble, bitcrusher with decimation and bit mode, as well as compressor with auto sidechain and mix amount. SubLab XL is the expanded version of the original, with added features, modulation, FX, macros, and new sounds. There are a couple of other plugins in this guide that can give you the fat low end you’re looking for, but it’s hard to ignore something called SubLab XL, isn’t it? Modern productions require unprecedented amounts of low end – especially hip-hop and trap tracks. So, if it’s within your budget right now, and you know you need a virtual analog synth, have a closer look.īass. No doubt, you will also enjoy its mix and match modules, envelopes, effects, modifiers, trimmers, and oscilloscope too.ĭiva basically hits the nail on the head in terms of sound quality, budget, and features. There are virtually no flaws with Diva, so when we refer to “standout” features, we’re talking about things that are extra good about it. And, if you’re looking for a solid sub-bass option, Diva is a good place to start, but by no means should it be considered “just a sub-bass.”

When it comes to Diva, producers often cite its glorious sub-bass sounds and authentic sounding filters as its standout features. Yes, FL Studio does come with some exceptional soft synths, but can you really have too many? Probably not, at least not when they sound this good. One of the most enduring and popular virtual analog soft synths of the last decade plus, u-he’s Diva is a monstrous, high-quality synth with authentic tones, plenty of parameters, and over 1,200 presets to boot.

Sublab vst review